A record store, café, and event space in the Meatpacking District — at 69 Gansevoort Street, the former home of Florent.
R&L is a record store, café, and event space opening in Spring 2027 at 69 Gansevoort Street, in the former home of Florent. The ground floor holds the record store, the café, a vinyl DJ station, and three custom listening stations with twenty-four records curated by R&L. The entire second floor is a community event space built for gatherings: in-store performances, listening parties, panels, album playbacks, artist conversations, and matching fundraisers. A rooftop deck extension overlooks the High Line.
The mission is straightforward: build a place where music is discovered, where the community around it gathers, and where the money gives back to the artists and organizations it depends on.
That last part is not a gesture. It runs through a ten-year giving program that the artists help direct.
The original R&L Luncheonette opened in 1938 to feed the meatpacking workforce, and put “Ladies Invited” in the window at a time when many New York restaurants turned unescorted women away. The same building became Florent, the 24-hour diner that anchored LGBTQ+ and counterculture life downtown from 1985 to 2008. R&L is the next chapter, and takes the building’s name as both a permission and a charge.
The site sits steps from the Whitney Museum, the High Line, and Little Island.
Much of it is directed by the artists who play here, so the money follows the community.
The board will grow to roughly twelve members across artists, journalists, photographers, philanthropists, label and venue operators, and digital platforms.
Chris Vanderloo (co-founder, Other Music) on retail and curation, Jason Narducy (Bob Mould, Superchunk, Split Single) on artist experience, and Danny Taylor of House Under Magic — the Brooklyn studio behind Eavesdrop in Greenpoint — on audio, acoustics, and the custom listening stations.
A weekly live-music series shot in the second-floor event space: one new band a week, a short set, produced for streaming and built to travel as clips. The model is proven — Live at KEXP, NPR’s Tiny Desk. The room is built for capture from day one. Terms are artist-friendly — artists own the footage shot at R&L and can use it for anything. We are in conversation with streaming and network partners about the series.
A no-commission takeover program in the second-floor event space, built for cultural producers who almost never get a Manhattan address: used record stores, music photographers showing prints, labels running retrospectives, vintage audio dealers. R&L provides the room, the foot traffic, and the audience.
We are building the partner network now, ahead of opening.
Music and community programming set the calendar and take precedence. Commercial partnerships are built to complement that, never to crowd it out.